a creative collective for inspiration

(Source: weissesrauschen, via sayywhen)

nedahoyin:

queenqueerqutie:


Martin Bauendahl

Real life vs Societal expectations

Wow..

nedahoyin:

queenqueerqutie:

Martin Bauendahl

Real life vs Societal expectations

Wow..

(Source: denicedenice, via sayywhen)

letargos:

Mona Hatoum - Pull, 1952

letargos:

Mona Hatoum - Pull, 1952

(via plasticwaves)

1000scientists:

Untitled, 2012Sara Helderwit

1000scientists:

Untitled, 2012
Sara Helderwit

(via -barry)

sparklinghearteyedvenus:

forest of the end, and the beginning by aya takano and azuma makoto

(via fyeahfemaleartists)

vvni:

In 1974, Joseph Beuys did a performance called I Love America, and America Loves Me where he lived in a gallery with a wild coyote for seven days as a symbolic act of reconciliation with nature. In 1996, Tracey Emin lived in a locked room in a gallery for fourteen days, with nothing but a lot of empty canvases and art materials, in an attempt to reconcile herself with paintings. Viewed through a series of wide-angle lenses embedded in the walls, Emin could be watched, stark naked, shaking off her painting demons. Starting by making images like the artists she really admired (i.e. Egon Schiele, Edvard Munch, Yves Klein), Emin’s two-week art-therapy session resulted in a massive outpouring of autobiographical images, and the discovery of a style all her own. The room was extracted in its entirety, and now exists as an installation work.
Tracey Emin
Exorcism of the Last Painting I Ever Made (detail)

vvni:

In 1974, Joseph Beuys did a performance called I Love America, and America Loves Me where he lived in a gallery with a wild coyote for seven days as a symbolic act of reconciliation with nature. In 1996, Tracey Emin lived in a locked room in a gallery for fourteen days, with nothing but a lot of empty canvases and art materials, in an attempt to reconcile herself with paintings. Viewed through a series of wide-angle lenses embedded in the walls, Emin could be watched, stark naked, shaking off her painting demons. Starting by making images like the artists she really admired (i.e. Egon Schiele, Edvard Munch, Yves Klein), Emin’s two-week art-therapy session resulted in a massive outpouring of autobiographical images, and the discovery of a style all her own. The room was extracted in its entirety, and now exists as an installation work.

Tracey Emin

Exorcism of the Last Painting I Ever Made (detail)

(via girlgaze)

iheartmyart:

Marwane Pallas, Angel, 2011

girlification:

Shana Moulton - A Unique Boutique 

salut-les:

Joana Kohen,  2014.83.5x159x2cm.

salut-les:

Joana Kohen,  2014.
83.5x159x2cm.

(via fleeten)

typeworship:

Creepy Type 2

This ‘oral alphabet’ must surely be a counterpart to the fleshy type I posted about a few months ago.

The toothy type has been created by Japanese designer Takayuki Ogawa who was inspired by the the mouth’s ability to express such a wide range of emotions by itself. This is clearly demonstrated in the many emoticons that use the mouth to describe the key emotion—  :) :D :p. :/ —etc.

Brilliantly executed, they have been made from stone powder clay, acrylic paint, varnish, wood and iron, though, you might think twice before using them on that wedding invite…

(via sayywhen)